Inside Cath Campbell’s tar paper shack, gallery visitors will find marks left by the artist. Some beams are labelled with names and numbers, as instructions on where to locate them during the construction of the frame, others have been scribbled upon by the artist while making calculations about the materials and their placement. These marks … More Cath Campbell and Jennifer Douglas: Mark-making and the human touch

Taking gallery walls as one of her subjects, Jo Coupe has contributed to In and Out of Sight by blending in. Her work is, in some ways, indistinguishable from its surroundings, just visible (or audible) enough to provoke some uncertainty about where the gallery ends and the artwork begins. In common with Elizabeth Murton’s installation, Between … More Jo Coupe: Blending In